Strategic Studies of Art

Strategic Studies of Art

Art streamlining of galleries in Iran

Document Type : Original Article

Author
hadi babaei fallah
Assistant Professor of Traditional Arts Department of Cultural Heritage and Tourism Research Institute. h.babaei@richt.ir
10.22083/ssa.2024.455512.1035
Abstract
Abstract:


The gallery is the center for the display of newly created works of art by visual arts artists. Galleries are divided into two categories: public galleries and private galleries. The global experiences of the activities of galleries, especially the experiences of European and American countries, reached Iran since the end of World War II. At first, the galleries supported by the embassies displayed works of art, and after them, in the late twenties and early thirties, several cultural centers and private galleries entered the field of visual arts in a more professional manner. Galleries played an important role in promoting important art movements in the last seventy years; Modern European styles and important contemporary trends such as Saqaqhana painting were recorded and promoted through the activities of galleries. The present article, which was written in a descriptive and analytical method, took a qualitative look at the artistic flow of galleries in Iran and the factors affecting these flows; The main purpose of writing this article is to understand the effects of art galleries on art trends in contemporary Iran and to explain the role of components such as the effects of artists and art groups on the activity of art galleries, the role of audiences, advertisements, media and critics. , governance and political issues and economic issues. The questions raised in this research question how art galleries appeared in Iran and the effective atmosphere in their creation. The influence of galleries on Iranian artistic movements and the extent of their positive and negative effects on the important artistic movements of Iran in the last hundred years will also be among other questions in this research.
 

Galleries played an important role in promoting important art movements in the last seventy years; Modern European styles and important contemporary trends such as Saqaqhana painting were recorded and promoted through the activities of galleries. The present article, which was written in a descriptive and analytical method, took a qualitative look at the artistic flow of galleries in Iran and the factors affecting these flows; The main purpose of writing this article is to understand the effects of art galleries on art trends in contemporary Iran and to explain the role of components such as the effects of artists and art groups on the activity of art galleries, the role of audiences, advertisements, media and critics. , governance and political issues and economic issues. The questions raised in this research question how art galleries appeared in Iran and the effective atmosphere in their creation. The influence of galleries on Iranian artistic movements and the extent of their positive and negative effects on the important artistic movements of Iran in the last hundred years will also be among other questions in this research.
Keywords
Iranian art
contemporary art
flow
gallery
منابع و مأخذ
انوری، حسن (۱۳۸۱). فرهنگ بزرگ سخن، ج ۸، تهران: انتشارات سخن.
پاکباز، رویین (۱۳۷۸). دائره‌المعارف هنر، تهران: فرهنگ معاصر.
پاکباز، رویین و یعقوب امدادیان (۱۳۸۰). پیشگامان هنر نوگرای ایران (مسعود عربشاهی)، تهران: موزه هنرهای معاصر.
پاکباز، رویین و یعقوب امدادیان (۱۳۸۱). پیشگامان هنر نوگرای ایران (پرویز تناولی)، تهران: موزه هنرهای معاصر.
حافظ شیرازی، شمس‌الدین محمد (۱۳۹۴). دیوان اشعار، تهران: عقیل.
دهخدا، علی‌اکبر (۱۳۷۷). لغت‌نامه، جلد ۱۲ و ۱۴. تهران: مؤسسه انتشارات و چاپ دانشگاه تهران با همکاری انتشارات روزنه.
دیویس، دنی و دیگران (۱۳۸۸). تاریخ هنر جانسون. ترجمۀ فرزان سجودی و دیگران، تهران: فرهنگ‌سرای میر دشتی.
سعدی شیرازی، مصلح‌الدین (۱۳۸۵). کلیات، تهران: هرمس.
سیرلوت، لوردس (۱۳۸۳). راهنمای هنر مدرن. ترجمۀ نسرین هاشمی، تهران: ساقی.
نظامی گنجوی، نظام‌الدین الیاس (۱۳۸۷). خمسه، تهران: هرمس.
مجابی، جواد (۱۳۷۶). پیشگامان نقاشی معاصر ایران (نسل اول). ترجمۀ کریم امامی، تهران: هنر ایران.
 
References
Anvari, Hasan. (2002). The great culture of Sokhan, Tehran: Sokhan. [in Persian].
 Pakbaz, Rouein. (1999). Encyclopaedia of Art, Tehran: Farhange
Moaser. [in Persian].
Pakbaz, Rouein. (2001). Pioneers of modern Iranian art Masoud
Arabshahi), Tehran: Museum of Contemporary Art. [in Persian].
Pakbaz, Rouin. (2002). Pioneers of modern Iranian art (Parviz Tanavoli), Tehran: Museum of Contemporary Art. [in Persian].
Hafez Shirazi, Shamsoldin Mohammad. (2015). Collected Poems,
Tehran: Aghil. [in Persian].
Dehkhoda, Ali Akbar. (1998). Dictionary, Tehran: Institute of Publishing and Printing University of Tehran in cooperation with Rozeneh Publishing House. [in Persian].
Davis, Dany and others. (2009). Jensen & art history, Translated by Farzan Sojudi and others, Tehran: Farhangsaraye Mirdashti. [in Persian].
Sadi Shirazi, Mosleholdin. (2006). General poems, Tehran: Hermes. [in Persian].
Sirlot, Lourdes. (2004). Guide to Modern Art, Translated by Nasreen
Hashemi, Tehran: Saghi. [in Persian].
 Nezami Ganjavi, Nezamoldin Elyas. (2008). Khamsa, Tehran: Hermes. [in Persian].
 Mojabi, Javad. (1997). Pioneers of contemporary Iranian painting (first generation), Translated by Karim Emami, Tehran: Honare Iran. [in Persian].
 
Strategic Studies of Art
Volume 2, Issue 2 - Serial Number 3
Summer 2023
Pages 79-100