Strategic Studies of Art

Strategic Studies of Art

This quarterly journal, by publishing scientific articles from researchers in the field of interdisciplinary art studies, aims to receive and present strategies and solutions regarding the resolution of micro and macro issues in the contemporary art scene of Iran. Considering the duties and mission of the Research Institute of Culture, Art, and Communication, and the tasks assigned to it, which focus on problem identification, needs assessment, and conducting research to respond to the needs and issues of Iranian society in the field of art, this journal is focused on promoting strategic studies and strengthening the grounds for theory production in the artistic fields with a local approach. It welcomes scientific articles from researchers interested in such studies for ‘problem-solving’ in the field of Iranian art.

The quarterly journal ‘Art Studies,’ published by the Research Institute of Culture, Art, and Communication, is issued after obtaining publication license number 86079 from the Press Department of the Ministry of Culture and Islamic Guidance, in collaboration with the Iranian Islamic Art Scientific Association. According to the regulations for scientific journals approved by the Commission of Scientific Publications of the Ministry of Science, Research, and Technology, after publishing four consecutive issues, this journal will be evaluated in the process of scientific journal assessment, and the articles published in these four issues will also receive the scientific ranking announced by the Ministry of Science.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Current Issue: Volume 4, Issue 4 - Serial Number 13, Summer 2026 

Keywords Cloud

  • Semiotics
  • Iranian Art
  • Aesthetics
  • \"
  • creativity
  • mythology
  • advertising
  • Educational Illustration
  • ancient Iran
  • Artificial intelligence
  • Safavid
  • Wall Painting
  • dragon
  • Art Education
  • Phenomenology
  • Joseph Campbell
  • Persian Painting
  • Iconology
  • carpet exhibition
  • Youth Music
  • Spiritual Authority\"
  • Children’s Rights
  • Poststructuralist&‌‌‌rdquo
  • cognitive analysis
  • Celebrity
  • Graffiti
  • Kurdish carpet&‌‌‌rdquo
  • WALL·E
  • Artistic approaches
  • Motifs
  • Authenticity
  • Falconry Glove
  • posthumanism
  • Islamic thought\"
  • Textile Weaving
  • Postcolonial Discourse
  • paiting
  • first secondary level
  • art activities
  • Environmental Advertising\"
  • Dramatic elements
  • cognitive development
  • Contemporary Miniature Painting
  • audience
  • Figure
  • symbol.  
  • Nasser Taghvai
  • particle body\"
  • Cultural capital
  • Archimythe
  • brand identity
  • Human Creativity
  • Tabriz Carpet
  • hypermetric ambiguity
  • Marginalization
  • ؛ ؛ ؛ re
  • Iranian cinema
  • cultural and artistic good
  • Nobaran
  • visual arts
  • Sun
  • Moon
  • generative AI
  • Sustainability
  • Zar Ritual
  • Sassanid
  • Horror Cinema
  • Phygital design
  • Representation
  • structural anxiety
  • Non-Fungible Tokens (NFTs)
  • Art curriculum
  • Arash the Archer
  • Persian miniature
  • Qajar Era. Fath Ali Shah
  • visual Discourse Analysis
  • Saqakhaneh school
  • Ideation
  • Structuralism
  • Environmental Communication
  • Farangi’ma’ab
  • Elucidation Jihad
  • Educational Policy Research
  • Information technology
  • Golshan Muraqqa
  • play
  • visual language
  • Mystic Elder
  • Renaissance
  • The Wind of Jinn
  • Economy of culture and art
  • Painting
  • Prayer Design (Mihrabi)
  • Reading
  • Islamic art
  • s aesthetics, Dewey\'
  • nature
  • Dark personality traits
  • Shah and Vizier
  • Miniature Painting Biennials
  • Mozart’s Symphony No. 40
  • legitimacy
  • Elementary Education
  • School Textbooks
  • Iranophobia
  • Mircea Eliade
  • Static Images
  • Se-Kheshties
  • Keywords: Environmental Cinema
  • hero
  • Religious Discourse&‌‌‌ndash
  • human art
  • Architectural Phenomenology. 
  • s pragmatism, Dickie\'
  • Female Image
  • Persian textbook
  • poetry
  • divination
  • Symbol
  • Digital Graphics
  • Qur\'
  • Dystopian Futurity
  • Design Process
  • architecture and miniature painting
  • Artificial Intelligence (AI)
  • Thematology
  • co-creation
  • Animated Characters
  • luxury brand
  • Sanandaj
  • critical discourse analysis
  • Banksy
  • Arak carpet
  • Mural
  • Midjourney
  • Keywords: Conceptual Metaphor
  • A.I. Artificial Intelligence
  • Emotional intelligence
  • Farshid Maleki
  • Al-Ma\'
  • Iconography
  • iranaian art
  • Art criticism
  • Robert Wuthnow
  • art education in Iran
  • Qajar Period
  • Sheikh Safi carpet
  • Human Intelligence
  • Ex Machina
  • cultural policies
  • Safavid period
  • Decorative Art
  • Yusuf\'
  • Left Discourse
  • kingship
  • Habib Allah Sadeghi
  • Women\'s clothing
  • Principles of visual organization
  • Qom carpet
  • Two-Factor Theory of Emotion
  • Sustainable Architecture
  • Aesthetics of Resistance
  • anic discourse
  • culture and art book
  • mystical–funerary architecture
  • Imam Hussein (A.S.)
  • Contemporary Iranian Cinema
  • genre theory
  • Tehran Museum of Contemporary Art
  • Ecocinema
  • Test
  • Islam
  • visual symbolism
  • lived experience
  • Quranic demythologization
  • Walker Evans
  • Contemporary painting
  • Miniature
  • sonata form
  • Realism
  • Farabi
  • Multimodal Theory
  • spatial perception
  • without\"
  • media\"
  • Religious Semiotics
  • Demons
  • Iranian Products
  • Vayu
  • Illumination
  • Traditional Design
  • folklore
  • economic capital
  • tapestry
  • Friedrich Daniel Ernst Schleiermacher
  • Timurid art
  • Coffeehouse Painting&‌‌‌ndash
  • nature theme
  • Islamic architectur
  • Sasanian silver plates